Exercise 1
Olivia Salvadori, An Invisible Ode (Act One)
there is always a margin of the unknown that emerges within the quality of any sound, beyond the characteristics of its source. operatic voice, electronic and percussions investigate the relationship between physical sources, musical forms and pre-performative rituals.
Olivia Salvadori, voice/ Coby Sey, electronics / Kid Millions, percussions/ Capitol K, recording
Exercise 2
Rebecca Salvadori, The Male Body Will Be Next
the male body Will be next is a video installation investigating power relations and the female gaze, a subjective camera, feeling/seeing specific contexts of action. pleasure and discovery; intimacy and objectification; pride and machismo. the title quotes the work of Belgian artist peter de potter, author of ‘the vanity of certain flowers’.
Rebecca Salvadori, video / George Finlay Ramsay, performance
Exercise 3
Sandro Mussida, Musica Per Due Pianoforti E Percussioni
twenty-four notes per octave under the influence of seven waves for two pianos one quarter-tone apart and percussions.
Sandro Mussida, composition / Ciro Longobardi, pianos / Simone Beneventi, tibetan gongs, cowbells & tuned metals
